FABRIZIO ROMAGNOLI
Contemporary Theatre, pp. 168
Isbn 978-88-95396-34-7 Euro 13.00
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Fabrizio Romagnoli was born in Tolentino (MC).
is author, actor and stage director.
His acting career started in 1989 playing with the most important Italian companies around, and then moved to Germany, where he has collaborated with international artists in the cast as "Cats" and "Buddy Das Musical".
part of Italy since 2003 and continues its activities in its path including film and television. Among the many cast that took part: "General Dalla Chiesa", directed by Giorgio Capitani and "Giorgione da Castelfranco. On the trail of genius ", directed by Antonello Belluco.
In 2005, in parallel with his acting career began confirmed that copyright and theater director.
"A long wait," "Until the End", "She ... He ... They ...", "Solo", "Add" and "The angel of death" are his contemporary scripts.
"A long wait" debuted in 2005 at the Teatro Colosseo in Rome, "Until the End" debuted in 2006 at the Teatro Belli in Rome, both directed by the same author.
In November 2010 "add" first national debut at the Teatro di Roma and the Opposites "The angel of death" at the Theatre of Rosmini Medolago (BG).
"Solo" is now a new text.
CONTEMPORARY THEATRE
From the preface by Fausto Della Czech
"In these three one-acts by Fabrizio Romagnoli, what immediately catches the eye is the rhythm and flow of dramatic writing, the author recovers fully attorale from their own experience. Romagnoli is primarily a versatile performer who has learned to write for the theater not to become creative writers in the forges, but on the stage where he has experimented with, from the late eighties, with the characters of Greek tragedy and comedy, and then turn on the wards of the musical and contemporary drama, not neglecting the language of film and television, where his artistic sensibility lately seems to have found a privileged field of action. All of this has flowed on the paper giving rise to these three dramatic texts that seem to refer to small talk pinteriane and modeled in the original key, the anthology of neuroses and obsessions of the characters of Williams, not to mention the mechanisms dramaturgical dry and perfect Mamet Romagnoli even if repeats the pedal of humor and always ends up overthrowing the atmosphere of his psychological dramas in the fabric of soft play. The topology that is the basis of his plays tend to build a universe penitentiary, claustrophobic, highly concentrated, all-encompassing, from which it comes, just like in the rooms of Pinter and Albee: a space where people parade exclusively female, grappling with plagiarism, as there is the impossibility of relating to others that is seen as the deprivation of their identity, the sense of estrangement is born, the drama of an existence that can not be achieved except in sadomasochistic relationship. Dangerous Liaisons enmeshed in the perennial game of love that, Romagnoli, conflict becomes inevitable, struggle, tension, torsion consciousness and mind. Next to love, but as an integral part of it, sits peremptorily sexuality with their phobias and fears, again as a result of more or less repressed instincts and always as a spring to hold the other. "
